Staccato is all about microfiction.

Launched in Athens, Georgia, in 2005 as a semiannual print magazine, the editors soon realized that their small print-runs weren’t enough and they could deliver microfiction to more readers more efficiently (not to mention cheaper) if they focused their efforts online. Relaunched in 2009 out of Brooklyn, Staccato is now a forum where you can read and comment on stories from your favorite writers and writers you’ve probably never heard of.
http://staccatofiction.com

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I am a zombie, and it’s not so bad. I’m learning to live with it. I’m sorry I can’t properly introduce myself, but I don’t have a name anymore. Hardly any of us do. We forget them, like anniversaries and PIN numbers. I think mine might have started with a “T”, but I’m not sure. It’s funny, because back when I was alive, I was always forgetting other people’s names. I am finding that irony abounds in the zombie life, an ever-present punch line. But it’s hard to smile when your lips have rotted off.
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This blog entry written by Trula Breckenridge. Thanks for visiting MSPmedia: Indie Publishing & Production!

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“The Marching Morons” is a science fiction short story written by Cyril M. Kornbluth, originally published in Galaxy in April, 1951. It was included in The Science Fiction Hall of Fame, Volume Two after being voted one of the best novellas up to 1965.

The story is set hundreds of years in the future: the date is 7-B-936. John Barlow, a man from the past put into suspended animation by a freak accident, is revived in this future. The world seems mad to Barlow until Tinny-Peete explains the Problem of Population: due to a combination of intelligent people prudently not having children and excessive breeding by less intelligent people, the world is full of morons, with the exception of an elite few who work slavishly to keep order. Barlow, who was a shrewd conman in his day, has a solution to sell to the elite.
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This blog entry written by Trula Breckenridge. Thanks for visiting Seed & Flame!

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Mutated vegetation’s life cycle no longer reproduction-based. hence life of the individual becomes life of species. plants grow HUGE. This was a really cool story, I’d like to read it again. I don’t know who wrote it or what issue of Omni it was in, do you?

This blog entry written by Trula Breckenridge. Thanks for visiting Seed & Flame!

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1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

– Vonnegut, Kurt Vonnegut, Bagombo Snuff Box: Uncollected Short Fiction (New York: G.P. Putnam’s Sons 1999), 9-10.

This blog entry written by Trula Breckenridge. Thanks for visiting Seed & Flame!

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